Rate My Professor Brian Inglis

Inglis is a prolific composer whose works have been performed internationally at festivals including Sonorities in Belfast, Huddersfield Contemporary Music Festival, Secret Garden Party, Festival Osmose in Brussels, the 3rd Toy Music Festival in Seoul, and the International Review of Composers in Belgrade, with broadcasts on BBC Radio 1, 3, and 2, Resonance FM, Radio Wales, Bayern 2, and Latvian TV. Over 70 compositions and arrangements are published by Composers Edition and Forton Music, featured on albums such as The Good, the Bad and the Iceberg (Atomicduster, 2006), Tangled Pipes and I hope this finds you well in these strange times (Nonclassical, 2011 and 2020), Living Stones (Sargasso, 2017), and To Byzantium and Beyond (KAIROS, 2024). Key musicological publications include co-editing The Letters of Kaikhosru Sorabji to Philip Heseltine (Peter Warlock) (2020), named one of BBC Music Magazine's best classical books of the year; contributions to The Classical Music Industry (Routledge, 2018); 'Ave generosa and The Song of Margery Kempe' (Religions, 2023); and 'Serendipity, Poetry and Play in Toy Piano Composition and Four Pieces for Toy Piano' (Revista Vortex, 2020). He contributes to journals like Tempo, Peter Lang, Intellect, and Cambridge Scholars. Awards include the Prix du Public at Festival Osmose (2024) for Toccata from Concerto for Piano Solo (Hommage à Alkan). Inglis serves on the board of the Journal of the Royal Musical Association, the steering and scientific committees of the Music, Spirituality and Wellbeing network, and Nonclassical's artistic and label committee. His journalism appears in M magazine, The Recorder Magazine, Clarinet & Saxophone, Maestro, and BBC Proms notes.