Rate My Professor Joan Huguet

Huguet's research focuses on form and harmony in nineteenth-century music, the interplay between musical structure and meaning—particularly in 19th-century common-practice forms and Broadway musicals—and music pedagogy. Notable publications include 'Post-Recapitulatory Organization in Beethoven’s Early Sonata-Rondo Finales' in Music Theory Online (2024), 'Thematic Redundancy, Registral Connections, and Formal Expectations in the Finale of Beethoven's Op. 14/1' in Music Theory and Analysis 3/2 (2016), 'Schenkerian Interruption and Beethoven's Sonata-Rondo Form' in Theory and Practice 40 (2015), and her translation of Jean-Jacques Nattiez’s Musical Analyses and Musical Exegesis: The Shepherd’s Melody in Richard Wagner’s Tristan und Isolde (2021). Her dissertation, 'Formal Functions and Voice-Leading Structures in Beethoven’s Early Sonata-Rondo Finales,' received the Alfred Mann Dissertation Prize from Eastman School of Music in 2015. Additional honors include the Patricia Carpenter Emerging Scholar Award from the Music Theory Society of New York State (2015), Eastman Teaching Assistant Prize (2014), Sproull Fellowship from the University of Rochester (2010-2014), Phi Beta Kappa from Rhodes College (2008), and Phi Kappa Lambda from Rhodes College (2007).